Elizabethan Occult Poetics argues that occult tradition influenced the development of vernacular poetics during the sixteenth century and explores the ways in which discourses from the occult tradition, ranging from the scientific to the magical, were actively absorbed into both the theory and practice of English poetics. This study examines the absorption of occult discourses into the theory and practice of poetry as well as their presence in poetic content. Beginning with John Dee's fascination with the geometrical foundation of alphabets and language, Elizabethan Occult Poetics goes back to 'tittles and jots' and the building blocks of affective language, before turning to the attempts of Philip Sidney and his contemporaries to create an efficacious English poetic tradition. The second part of the book focuses on the incorporation of occult discourses as content and writers' negotiations of competing theories between the arcane and the scientific through chapters on cosmology and light in the work of Giordano Bruno and Fulke Greville, optics in George Chapman's vernacular poetry, and magnetism in Edmund Spenser's The Fairie Queene. This study shows that sixteenth-century poets pursued an affective and efficacious poetic tradition via the incorporation of occult discourses in theory, practice, and content.