In 1970s Houston, more than two dozen boys vanished without a trace. Their disappearances were dismissed as runaways, their names filed away in drawers across a city too vast to keep track of its own missing. By the time investigators unearthed the truth-mass graves hidden beneath Houston's surface-the nation confronted one of the most horrifying and least understood serial murder cases in American history. This is not a retelling of the Dean Corll story for shock value, but a reckoning with how such crimes become possible in the first place. Bill Johns, author of the Hidden Evil true crime series, writes about the systems that fail long before the violence begins-the bureaucracies of neglect, the hierarchies of attention, and the cultural habits that turn disappearance into background noise. Through meticulous research and forensic restraint, The Candy Man: Dean Corll and the Houston Mass Murders reconstructs the architecture of invisibility that allowed one of America's most sadistic serial killers to operate undetected in plain sight. In this haunting work of literary true crime, Johns moves beyond the details of the murders to examine the civic, psychological, and moral ecosystems that surrounded them. Houston in the early 1970s was a city in motion-sprawling, modern, optimistic-its growth fueled by oil, ambition, and denial. Within that optimism, entire neighborhoods disappeared from notice. The missing boys of Houston became victims not only of one man, but of a culture that mistook absence for autonomy, silence for safety, and bureaucracy for order. Drawing on police files, archival footage, investigative reporting, and oral histories preserved in the Houston Metropolitan Research Center, Johns traces how ordinary systems-law enforcement, local media, civic planning-converged into a machinery of blindness. The result is a portrait not of a monster alone, but of a moral structure that allowed him to exist. This is true crime written with precision and empathy, closer to moral history than journalism. Johns reveals that behind every atrocity lies a network of routine omissions-the small, daily failures of institutions and communities that allow evil to persist. The Candy Man situates Dean Corll alongside America's other great enigmas of disappearance: the uncounted, the forgotten, the systemically unseen. Through Johns's patient and evocative prose, the book becomes an inquiry into the ethics of attention-how a nation that celebrates freedom can also cultivate blindness, and how progress can disguise decay. Rather than sensationalize violence, Johns restores its context, asking what Houston's tragedy reveals about the moral infrastructure of modern life. At its heart, this is a story about memory-how cities bury what they cannot face, and how the land itself remembers when people choose to forget. Johns's writing blends investigative precision with literary restraint, offering readers a rare balance of documentation and atmosphere. The narrative moves through geography and conscience alike, from the city's sprawl to the quiet equilibrium of High Island at dusk, where the ground continues to bear silent witness. The Candy Man: Dean Corll and the Houston Mass Murders is not merely about what happened, but about what it means when entire systems fail to see. Johns invites readers to look again-at the map, at the records, at the forgotten names-and to recognize that disappearance is never only the absence of bodies, but the absence of responsibility. To read this book is to step inside the silence that follows atrocity and to confront the uneasy truth that forgetting is also a choice. The Candy Man is both investigation and elegy, a narrative of American neglect written for readers who understand that memory itself is an act of justice.